BAROQUE
1600-1750
Cristina Montins Ortiz
Federico Escribano Huertas
CHARACTERISTICS
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Emancipation of instrumental music.
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Technical evolution of instruments
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The birh of orchestra: organized ensemble, perfection of instruments and timbric richness.
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Performers specialized in one instrument: apprearance of the first 'virtuosos'.
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Orchestra: string, woodwind, brass and percussion: trumpets, horns, Kettledrums, flutes, oboes, bassons, violins,violas, double basses, harpsichord, violoncellos.
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It's made up of a sequence of dances of different nature.
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ALLEMANDE: binary rhythm, slow tempo
COURANTE: ternary rhythm, fast tempo
SARABANDE: ternary rhythm, slow tempo
GIGUE: ternary rhythm, fast tempo
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J.S.BACH
FORMS
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Four movements that contrast along slow ad fast beats with different textures and rhythms.
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Slow- fast (fugued)- slow (homophonic) - fast
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It's composed for a solo instrument, a duo or a trio, but always with the accompaniment of the basso continuo.
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Three contrasting movements; depending on how the instruments intervene:
Concerto grosso: for a group of soloists (concertino) and the rest of the orchestra (tutti). A.CORELLI, G.F.HAENDEL, J.S.BACH
Solo concerto: composed fora single soloist instrument that contrasts in constant dialog with the orchestra.A.VIVALDI
For organ; 1 movement, counterpoint texture, based on imitation.