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  • Opera underwent a great development and became the wealthy bourgeoisei's favourite performance. .

  • Big theatres were built and singers became tue "stars" thanks to the vocal brilliance of their arias.

ITALY
  • HOme of opera.

  • Transition:

 

 

 

 

  • The "bel canto": for singers to shine.

 

 

 

 

 

 

 

 

 

  • "Verismo": with more realistic plots and characters.

 

 

 

 

 

 

 

 

 

 

  • Peak of the Italian opera

 

 

 

 

 

 

 

 

NESUNN DORMA (PUCCINI)

LA TRAVIATA (VERDI)

L'ELISIR D'AMORE

 

NORMA

 

 

 

 

PAGLIACCI

 

 

LA BOHEME, TOSCA

MADAME BUTTERFLY

 

 

 

 

NABUCCO,

 

RIGOLETTO

LA TRAVIATA, AIDA

LEONCAVALLO

VA PENSIERO (NABUCCO: G.VERDI): based on the Bible story about the king Nebuchadnezzar.It became the patriotic hymn of the Italian "Risorgimento", which achieved the unification of the country in 1861

FRANCE
G.MEYERBEER
  • Creator of the "grand opera": large set designs and ballets.

        LES HUGUENOTS

 

 

  • Main representative of "operetta": humor and dialogs.

       ORPHEUS IN THE UNDERWORLD

 

 

  • CARMEN: popular dances and themes; set in Seville.

GERMANY
  • Initiator of the Romantic opera.

        THE MARKSMAN

 

 

  • The great figure of German opera.

  • He conceived opera as a "total work of art": poetry, music, set design and action put together, in order to create a continuous "musical drama".

  • Orquestra had a leading role.

  • Use of the leitmotiv: it represents all kinds of objects, characters and emotions.

  • Texts were written by Wagner himself, inspired by German mythology.

 

     THE RING OF THE NIBELUNGS: inspired by         German legends about gods, mortal heroes and Nibelungs, a race of dwarves who live in the kingdom of shadows.

       TRISTAN AND ISEULT

    

RIDE OF THE VALKYRIES (The Valkyrie: Ther Ring of the Nibelungs)

SPAIN: ZARZUELA
F.A.BARBIERI
T.BRETÓN
  • "Zarzuela grande": 3 acts, larger musical development

EL BARBERILLO DE LAVAPIES

 

 

  • "Género chico": single act with less characters and predominance of the spoken text over the sung text.

LA GRAN VÍA (F.Chueca)

 

 

 

LA VERBENA DE LA PALOMA (T.Bretón)

 

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